The Evolution of Dolby Digital
Surround Sound.
By Roger Ward
Dolby For The Cinema
Dolby's entry into film
sound really is a story that began in the early 50's when
the first successful multi-channel sound formats took off.
The first few sound formats were a matrixed four channel
stereo format, unlike the 2-channel sound format of the
home. By the late 50's there were 2 such film formats, 4-track
Cinemascope sound (35mm) and 6-track Todd-AO sound. The
sound itself was produced onto the magnetic strip that a
reel of film has and is then played back sort of like a
home cassette player. With the decline in cinema in
the 60's & 70's these formats were dumped because
they were seen as too expensive for a time when the movie
business was in a huge slump.
In the mid 70's Dolby
Labs introduced a new sound standard upon the movie going
world, Dolby Stereo. Instead of using the Metal strip in
the film, the new process used the optical soundtrack
technology on (35mm) film that had been used to put mono
sound on movies for years. Originally the process tried
to put the 4-channels or Left, Center, Right and Surround
channel onto the optical print, but it produced too much
noise and didn't work very well and a way needed to be
found to put the four channels of information onto just 2
sound channels. Dolby Labs came up with matrixing
techniques that encoded the 4-channels into the 2-channel
system that would highly compatible with the optical
track on the film print. When a movie was played back
on a compatible Dolby processor the 2 channels would be
converted in a 4-channel sound mix Left, Center, Right
& Surround. The new sound technology turned out to be
so successful and more cost effective that it was
established as the dominant sound format for movies. Over
the years the format has been refined.
In 1986 Dolby Lab's
introduced Dolby Stereo-SR (Spectral Recording), Dolby SR
was basically the same as Dolby Stereo, but produced
better sound fidelity and noise reduction. In the late 80's
Dolby Labs undertook the process of putting digital sound
onto theatrical prints and Dolby Digital was born. The
process involves placing the digital optical track
between the sprockets of the film to provide 5.1-channels
of discrete digital audio, Left, Center, Right, Left
Surround, Right Surround & Subwoofer channels, but
the process is also backwardly compatible with Dolby
Stereo and the soundtrack can down mix to the standard 4-channel
format. Dolby Digital debuted in 1992 with the theatrical
release of Batman Returns and has since became the de-facto
sound format in the movies, just like Dolby Stereo did
over a decade before.
Dolby
Sound For The Home
Dolby's sound format for
the home has basically evolved from it's larger cinema
counterpart. Stereo reproduction in movies at home really
began when the first 2-channel stereo videocassettes came
out in the early 80's, by this time stereophonic sound
was the norm and people were expecting more than just
basic stereo sound and Dolby Labs saw this need. In 1982
they released Dolby Surround a home version of Dolby
Stereo which contained the same 4-channel matrixed sound
format that Dolby Stereo uses in the theatre. By the late
80's the need was seen to advance the home cinema sound
and thus Dolby Surround Pro-Logic was born. Where Dolby
Stereo for the home created a phantom center speaker from
the 2 front speakers and would only sound convincing to
people sitting in front of the TV, Pro-Logic included a center speaker and well as the Right, Left & Surround
speakers to lock the center channel in position and it
would sound as if the dialog would be coming from the center, even if you were sitting on an angle from the
TV.
The process also allowed you to place the front speakers
further apart than before to create a larger sound field.
By the mid 90's the home
version of Dolby Digital was born, the system uses the
Left, Center, Right, Left Rear & Right Rear as well
as the .1 subwoofer channels. Originally Dolby Digital (AC-3)
was only available on American NTSC Laserdiscs that were
encoded in DD5.1. Now DVD's and soon Digital TV
broadcasts are all encoded in Dolby Digital and soon a
new sound format is on the way from Dolby Labs, Dolby
Digital EX.
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